This lesson explores how simple inversions can transform your quartal harmony. By raising the lowest note up an octave—or moving the highest note down—you’ll uncover new three-note structures with fresh, open intervallic colors that add depth and modern flavor to your comping and voicings.
Up Next in Jazz Breaks with Barry Greene
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Mirror Image II-V's - Jazz Break
In this lesson, you’ll learn how to create new II-V ideas by using the third of the dominant chord as a pivot note and mirroring the rest of the phrase. By transposing the remaining notes up or down from the pivot, you’ll generate fresh, symmetrical lines that expand your harmonic and melodic voc...
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Developing Vocabulary - Jazz Break
This lesson shows you how to build your improvisational language by studying and reworking phrases from classic bebop heads. You’ll learn how to extract, adapt, and connect these melodic ideas to develop authentic bebop vocabulary that naturally flows in your solos.
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The Wes Montgomery Tritone Substituti...
In this lesson, you’ll learn how to apply Wes Montgomery’s approach to tritone substitutions by replacing a standard II-V-I with one a tritone away. For example, instead of D–7 → G7 → Cmaj7, try Ab–7 → Db7 → Cmaj7. This simple shift adds rich altered tones and creates the sophisticated harmonic c...
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