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In this lesson, you’ll learn how to create fresh harmonic colors by redirecting II-V progressions to new destinations. Instead of resolving every D–7 → G7 to Cmaj7, try substituting F–7 → Bb7 → Cmaj7 or even Ab–7 → Db7 → Cmaj7. Re-targeting opens up new melodic pathways and adds sophistication to your playing.
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