This lesson explores how simple inversions can transform your quartal harmony. By raising the lowest note up an octave—or moving the highest note down—you’ll uncover new three-note structures with fresh, open intervallic colors that add depth and modern flavor to your comping and voicings.
Up Next in Jazz Breaks with Barry
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Chromatic II-V's - Jazz Break
In this lesson, you’ll learn how to create smooth chromatic motion by substituting a minor chord with a dominant chord a half step higher—especially when the melody contains the ♭3 or ♭5. This approach transforms a static minor sound into a moving II-V, adding tension, release, and a touch of har...
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The Secret Jazz Chord - Jazz Break
This lesson reveals how a single chord can function as five others, opening up six harmonic possibilities from one shape. You’ll learn how this concept simplifies improvisation—since only one chord scale is needed to navigate all six sounds—while dramatically expanding your harmonic vocabulary an...
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Minor ii-V's - Jazz Break
In this lesson, you’ll explore Pat Martino’s approach to simplifying minor II-V progressions by reducing the chords to their minor equivalents. This method makes it easier to navigate these challenging sequences, revealing clear melodic pathways and a more unified way to approach minor harmony.
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