In this Jazz Break lesson, we take a focused look at using pentatonic scales by starting from the 9th of the chord, allowing the upper extensions of the harmony to come through clearly.
This concept works on both major and minor chords, using major pentatonics over major harmony and minor pentatonics over minor harmony. By shifting the pentatonic starting point away from the root, you’ll hear a more modern, open sound. A simple but effective way to get more harmonic color and clarity out of familiar pentatonic shapes.
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Retargeting II-V's - Jazz Break
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Mirror Image II-V's - Jazz Break
In this lesson, you’ll learn how to create new II-V ideas by using the third of the dominant chord as a pivot note and mirroring the rest of the phrase. By transposing the remaining notes up or down from the pivot, you’ll generate fresh, symmetrical lines that expand your harmonic and melodic voc...
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Inverting 4th Voicings - Jazz Break
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