In this lesson, I explore techniques for using fourths to comp horizontally rather than vertically. By inverting fourth voicings, you can uncover unique and unexpected harmonic textures. I demonstrate how to apply these concepts to modal tunes and II-V progressions. A PDF is included for further study.
Up Next in Pot Luck!
-
The Shadow Of Your Smile - Tune Based
What a beautiful tune! An absolute must for your bossa nova repertoire. I explore the tune from top to bottom and show you several ways of approaching ...
-
Dolphin Dance - Tune Based
One of the great Herbie Hancock tunes. In this 50 minute lesson, I take a detailed look at each segment of the harmony. This is a great chance to work on you...
-
Isfahan -Tune Based
Billy Strayhorn loves the key of Db! In this lesson I take a cue from the Joe Henderson recording of this tune. There are so many interesting harmonic ...
6 Comments