This was a fun lesson to create. I discuss George's superior sense of phrasing and his uncanny ability to create lyrical melodic statements along with chop filled 16th note lines. I had no idea this was a Stevie Wonder tune but have always loved it. Great written examples on the PDF as well as a killin' backing track featuring Ulysses Owens on drums. Enjoy!
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A Study in Harmonic Minor ( What is T...
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Modal Comping - Topic Driven
In this lesson, I explore techniques for using fourths to comp horizontally rather than vertically. By inverting fourth voicings, you can uncover unique and unexpected harmonic textures. I demonstrate how to apply these concepts to modal tunes and II-V progressions. A PDF is included for further ...
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Pentatonics - Topic Driven
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