In this Jazz Break lesson, we take a focused look at using pentatonic scales by starting from the 9th of the chord, allowing the upper extensions of the harmony to come through clearly.

This concept works on both major and minor chords, using major pentatonics over major harmony and minor pentatonics over minor harmony. By shifting the pentatonic starting point away from the root, you’ll hear a more modern, open sound. A simple but effective way to get more harmonic color and clarity out of familiar pentatonic shapes.