Chromatic II-V's - Jazz Break
Jazz Breaks with Barry Greene
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3m 8s
In this lesson, you’ll learn how to create smooth chromatic motion by substituting a minor chord with a dominant chord a half step higher—especially when the melody contains the ♭3 or ♭5. This approach transforms a static minor sound into a moving II-V, adding tension, release, and a touch of harmonic sophistication to your lines.
Up Next in Jazz Breaks with Barry Greene
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Inverting 4th Voicings - Jazz Break
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Mirror Image II-V's - Jazz Break
In this lesson, you’ll learn how to create new II-V ideas by using the third of the dominant chord as a pivot note and mirroring the rest of the phrase. By transposing the remaining notes up or down from the pivot, you’ll generate fresh, symmetrical lines that expand your harmonic and melodic voc...
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Developing Vocabulary - Jazz Break
This lesson shows you how to build your improvisational language by studying and reworking phrases from classic bebop heads. You’ll learn how to extract, adapt, and connect these melodic ideas to develop authentic bebop vocabulary that naturally flows in your solos.
