In this lesson, you’ll explore Pat Martino’s approach to simplifying minor II-V progressions by reducing the chords to their minor equivalents. This method makes it easier to navigate these challenging sequences, revealing clear melodic pathways and a more unified way to approach minor harmony.
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Pentatonics - Jazz Break
In this Jazz Break lesson, we take a focused look at using pentatonic scales by starting from the 9th of the chord, allowing the upper extensions of the harmony to come through clearly.
This concept works on both major and minor chords, using major pentatonics over major harmony and minor pentat...
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Retargeting II-V's - Jazz Break
In this lesson, you’ll learn how to create fresh harmonic colors by redirecting II-V progressions to new destinations. Instead of resolving every D–7 → G7 to Cmaj7, try substituting F–7 → Bb7 → Cmaj7 or even Ab–7 → Db7 → Cmaj7. Re-targeting opens up new melodic pathways and adds sophistication to...
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Triad Pairs - Jazz Break
Triad Pairs
This lesson explores improvising with triads instead of traditional linear lines. By pairing two triads—like F and G major over a D–7 chord—you’ll discover fresh intervallic textures and melodic shapes that break you out of scalar playing and add a modern edge to your solos.
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