This lesson reveals how a single chord can function as five others, opening up six harmonic possibilities from one shape. You’ll learn how this concept simplifies improvisation—since only one chord scale is needed to navigate all six sounds—while dramatically expanding your harmonic vocabulary and creative options.
Up Next in Jazz Breaks with Barry Greene
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Chromatic II-V's - Jazz Break
In this lesson, you’ll learn how to create smooth chromatic motion by substituting a minor chord with a dominant chord a half step higher—especially when the melody contains the ♭3 or ♭5. This approach transforms a static minor sound into a moving II-V, adding tension, release, and a touch of har...
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Inverting 4th Voicings - Jazz Break
This lesson explores how simple inversions can transform your quartal harmony. By raising the lowest note up an octave—or moving the highest note down—you’ll uncover new three-note structures with fresh, open intervallic colors that add depth and modern flavor to your comping and voicings.
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Mirror Image II-V's - Jazz Break
In this lesson, you’ll learn how to create new II-V ideas by using the third of the dominant chord as a pivot note and mirroring the rest of the phrase. By transposing the remaining notes up or down from the pivot, you’ll generate fresh, symmetrical lines that expand your harmonic and melodic voc...
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